Roberta Mameli (Soprano)
Born in Rome, Roberta Mameli obtained a Singing Degree at the "Nicolini"
Conservatoire in Piacenza and a Violin Degree at the Scuola Civica di Cremona.
She attended master classes with Roberta Invernizzi, Bernadette Manca di Nissa,
Ugo Benelli, Claudio Desderi and Enzo Dara. She made her debut at a very young
age singing in Purcell’s Dido and Aeneas under the baton of Edoardo Mьller and
the direction of Graziella Sciutti at the Opera Theatre in Alessandria.
She is regularly invited to perform at prestigious theatres and music
halls, working with such conductors as Claudio Abbado, Umberto Benedetti
Michelangeli, Fabio Bonizzoni, Filippo Maria Bressan, Daniele Callegari, Claudio
Cavina, Alan Curtis, Ottavio Dantone, Enrico Gatti, Paul Goodwin, Christopher
Hogwood, Corrado Rovaris, Federico Maria Sardelli, Jordi Savall and Jeffrey
Tate.
Much in demand for the baroque repertoire, Roberta Mameli has
worked with many specialized ensembles, including: Accademia Bizantina,
Contrasto Armonico, Ensemble Inйgal, Il Complesso Barocco, L’Arte dell’Arco, La
Risonanza, La Venexiana, Le Concert des Nations and Modo Antiquo, performing in
some of the most important European festivals.
Highlights of her
successful activity include: Monteverdi’s Il Combattimento di Tancredi e
Clorinda and Il Ballo delle Ingrate in Cremona and Regensburg; Stradella’s San
Giovanni Battista (Herodiade) with Enrico Gatti at the festivals of Utrecht,
Viterbo and La Chaise-Dieu; Monteverdi’s L’Incoronazione di Poppea (Nerone) with
Claudio Cavina in Hannover, Regensburg, Paris, Milan and Periguex; Fux’s Orfeo
ed Euridice (Proserpina) with Le Concert des Nations and Jordi Savall at the
Styriarte Festival in Graz; Monteverdi’s L’Orfeo at the Santander Festival;
Pergolesi’s L’Olimpiade (Aristea) with Accademia Bizantina and Ottavio Dantone
in Krakow.
She recorded for such labels as Naпve, Glossa, Nibiru,
Bongiovanni and RAI 3. Her recent discography includes: Vivaldi’s Teuzzone,
Orlando Furioso (1714) (world premiere) and Catone in Utica for Naпve;
Monteverdi’s L’Incoronazione di Poppea and Il ritorno d’Ulisse in patria as well
as Cavalli’s Artemisa for Glossa; Zelenka’s Il Diamante for Nibiru. Her solo
album ’Round M: Monteverdi meets Jazz, recorded for Glossa, has been one of
2010’s best-selling CDs.
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