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Classical Ballet Evening of one-act ballets by Michael Fokine: Polovtsian Dances.Sheherazade. Carnaval.
World famous Mariinsky Ballet and Opera - established 1783

The performance has 2 intermissions

Schedule for Evening of one-act ballets by Michael Fokine: Polovtsian Dances.Sheherazade. Carnaval. 2022

Composer: Nikolai Rimsky-Korsakov
Composer: Alexander Borodin
Costume Designer: Tatiana Noginova
Choreography: Michel Fokine
Composer: Robert Schumann
Lighting Designer: Alexander Naumov
Set Designer: Mikhail Shishliannikov
Bass: Alexander Borodin

Orchestra: Mariinsky Theatre Symphony Orchestra

Classical Ballet in 3 acts

POLOVTSIAN DANCES 

Cast to be announced

CREDITS

Music by Alexander Borodin

Choreography by Michel Fokine (1909)

Sets and costumes by Nicholas Roerich

 

The work remained unfinished when the composer died in 1887, although he had worked on it for more than a decade. A performing version was prepared by Nikolai Rimsky-Korsakov and Alexander Glazunov, appearing in 1890. Several other versions, or "completions," of the opera have been made. The dances are performed with chorus and last between 11 and 14 minutes. They occur in Act I or Act II, depending on which version of the opera is being used. Their music is popular and sometimes given in concert. At such performances the choral parts are often omitted. The opera also has a "Polovtsian March," which opens Act III, and an overture at the start. When the dances are given in concert, a suite may be formed: Overture, Polovtsian Dances and March from "Prince Igor."

 

Ballets Russes performances

As part of his first "Saison Russe" at the Théâtre du Châtelet in Paris, Sergei Diaghilev presented Polovtsian Scenes and Dances, consisting of Act II of Prince Igor, with full orchestra and singers. The premiere took place on 18 May 1909. The choreography was by Michel Fokine and the sets and costumes were designed by Nicholas Roerich. In later seasons, without singers, the work was given as The Polovtsian Dances. For the 1923 season, it was partly re-choreographed by Bronislava Nijinska.

 

The first dance, which uses no chorus and is sometimes omitted in concerts, is No. 8, entitled "Dance of the Polovtsian Maidens": presto, 6/8, F major; it is placed directly after the "Chorus of the Polovtsian Maidens," which opens the act and is followed by "Konchakovna's Cavatina". The dances proper appear at the end of the Act as an uninterrupted single number in several contrasting sections listed as follows (basic themes are indicated with letters in brackets and notated in the accompanying illustration)

 

World premiere: May 19, 1909, "Russian Seasons" Theatre du Châtelet, Paris

Since 1909 performed as a ballet fragment of the opera "Prince Igor" at the Mariinsky Theatre.

Since June 25, 1997 performed as an independent work.

Running time: 11 minutes

Age category: 12+

 

SCHEHERAZADE

CREDITS

Music by Nikolai Rimsky-Korsakov

Scenario by Léon Bakst and Michel Fokine after Arabian Nights fairytales

Choreography by Michel Fokine (1910)

Reconstruction by Isabelle Fokine, Andris Liepa

Set and costume design by Anna Nezhnaya, Anatoly Nezhny after original sketches: Léon Bakst

 

SYNOPSIS

The harem of Shah Shahryar. 

Shahryar, King of India and China, is angry because his brother Shakhezman has suggested that his wives are unfaithful to him. To test the harem Shahryar goes off on a hunting expedition. 

Almost as soon as the court has departed the wives adorn themselves in jewels and bribe the Chief Eunuch to open the three doors which lead to the quarters where the male slaves live. Two doors are opened and the Chief Eunuch is about to leave when Zobeide, Shahryar’s favourite wife, demands that the third door also be opened. The Eunuch warns her against this, but with further bribes and pleas she insists. The door is opened and a Negro slave leaps through it to Zobeide’s side. They fall entwined upon the divan. 

Food is brought in to musical accompaniment. Dancing begins, led by the Golden Slave, and Zobeide joins in. But Shahryar has returned unannounced and bursts in upon the orgy. Slaughter follows and the revellers are indiscriminately cut down. The Chief Eunuch is strangled. Shahryar kills Zobeide’s lover with his own hands. Only Zobeide remains. Preferring death to dishonour she faces the Shah and then, with a dagger she grabs from him, she takes her own life.

 

World premiere: 4 June 1910, Les Ballets Russes de Serge de Diaghilev, Théâtre de l´Opéra, Paris

Premiere at the Mariinsky Theatre: 26 May 1994

 

Running time 45 minutes

Age category: 6+

 

LE CARNAVAL

pantomime ballet in one act

CREDITS

Music by Robert Schumann (Le Carnaval, Op. 9, orchestrated by Nikolai Rimsky-Korsakov, Anatoly Lyadov, Alexander Glazunov, Nikolai Cherepnin, Anton Arensky)

Choreography by Michel Fokine

Set and Costume design by Léon Bakst

 

The revival team:

Choreography staged by Sergei Vikharev

Sets reproduced by Mikhail Shishliannikov

Costumes reproduced by Tatiana Noginova

Lighting by Alexander Naumov and Mikhail Shishliannikov

 

SYNOPSIS

Preambule. Carnival festivities. 

Pierrot. Pierrot is sad. 

Harlequin. The colourfully dressed Harlequin swoops down on Pierrot. Harlequin is in good spirits; Pierrot’s wretched looks make him laugh all the more. He sneers and gibes at the poor fellow and vanishes as quickly as he appeared. 

Eusebius. Eusebius enters slowly. He is perturbed by the glitter and merriment of the carnival. He is looking for refuge. At the feast there was no girl he was interested in enjoying the amusements together with. Suddenly he meets a stranger such as can only be dreamed of. It is Chiarina. She is dancing on the stage and drawing Eusebius after her. 

Florestan. The passionate Florestan runs in, looking for Estrella. Voilà! Estrella feigns disdain. Florestan throws himself at her, wishing to declare his love. Continuing to act hurt, Estrella turns away, but the insistent Florestan succeeds in getting her to dance with him. 

Coquette. Chiarina appears again with flowers in her arms. She dances coquettishly, giving her arm to Eusebius, she kisses a flower, throws it to Eusebius and hides. 

Papillon. Pierrot is lonely. Papillon flutters past and flits about the stage lighheartedly. Pierrot lies in wait for her. Papillon flaps her wings, trying to fly away. Pierrot, intent on catching her with his hat, takes aim and throws it. Pierrot thinks he has caught Papillon, and retrieves his hat. What a disappointment! Papillon is not there – she has flown away. 

Chiarina. Agitated by the events, Chiarina and two friends run in. Chiarina, apparently, has already told them about her adventure with Eusebius. 

Reconaissance. The carnival characters arrive. Colombine slips as she moves across the floor; the merry Harlequin grabs hold of her. The happy couple look for the chance to withdraw and share their emotions. Their first wish, when they see no-one is looking, is to kiss. 

Pantalone and Colombine. Pantalone, an old man trying to act young, enters in a terrible rush. Colombine had appointed a rendezvous. The clock shows that the time has come, and this is the place appointed in the letter... But his lady is not there. Pantalone decides to wait. In impatience he reads the letter again. Someone’s tender hands cover his eyes and someone else’s grab the letter – Harlequin and Colombine have decided to amuse themselves with the comical old devotee. 

Promenade. The lovers appear, couple after couple. They plan on being alone, but they meet others also looking for a quiet spot. Papillon flies in, followed by Pierrot. Pantalone is among the strolling lovers, still trying to find the unknown writer of the letter. She leads him to Harlequin and Colombine who are wrapped in a daydream. Pantalone’s behaviour enfuriates Harlequin. At the top of his voice he declares “Columbine and I are to marry.” Pantalone protests. Pierrot calms everyone down. “No quarrels or arguments. Pantalone and Harlequin – make peace.” Harlequin holds out his hand, and Pantalone reluctantly accepts it. The burst of merriment siezes everyone. In the carnival merriment only two are ill at ease – Pierrot and Pantalone. Columbine calls on Pantalone. He moves towards her. However, Harlequin throws him into the embraces of the gaping Pierrot and attaches Pierrot’s long arms to Pantalone’s back. The last bars of the carnival music can be heard and the curtain falls. Pierrot and Pantalone, cut off from the merriments behind the curtain, knock and bang, in vain begging to be let into the carnival.

Running time: 30 minutes

Age category: 6+

 





Schedule for Evening of one-act ballets by Michael Fokine: Polovtsian Dances.Sheherazade. Carnaval. 2022


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